Pulp Fiction is a film directed and co-written by the great Quentin Tarantino, and easily one of the all around best movies I have seen in recent memory.
Pulp Fiction follows the misadventures of LA Mobsters Vincent Vega (John Travolta), Jules Winnfield (Samuel L. Jackson) and Butch Coolidge (Bruce Willis) as their stories ingeniously intertwine, and in classic Tarantino fashion, do so out of chronological order.
The first thing I noticed when watching this movie was the incredible dialogue that takes place between the characters, especially between John Travolta and Samuel L. Jackson. The chemistry these two have on screen, combined with the amazing dialogue written for their characters, set up some of the coolest scenes to ever be in a movie, and the most memorable scene in my personal movie watching history.
(explicit warning)
The scene above is from the first twenty minutes of the movie, and the entertainment value never goes down from there. The fire in Jules we see in the above scene never goes away, and the calm cool collectedness of Vincent becomes a staple of the film. There were a couple of moments where I thought the movie kind of dragged on, and a few scenes I believed we just filler, but the ingeniousness of Quentin Tarantino shines through when it turned out that through two and a half hours worth of movie he only showed me things that mattered to the overall plot. Every single thing comes back around and every scene is important.
Something else that stuck out to me was the amount of smoking. I don't have a problem with smoking, I don't smoke myself, but I suppose it is really a sign of the times. The amount of smoking in movies back then compared to how often you see it now, it has become much more of a rarity in today's politically correct environment. This really is too bad because this movie would not be the same without the smoking; it adds such a sense of "cool" to the entire film. I've never wanted to smoke a cigarette more than after seeing this piece of cinema.
While almost everything in this movie was fantastic, there were a couple of things that caught my attention that I did not think fit.
The first thing I disliked quite a bit (spoiler alert) is how John Travolta's character just dies. I understand it was important to the movie that he dies, and in the end his death ties together the rest of the plot. I didn't dislike that he died, I disliked how he died. It was so disingenuous the way they just got rid of him like that. In my opinion Tarantino didn't make it seem important enough.
The second thing that I disliked was how Jules (Samuel L. Jackson) interacted with his boss, Marsellus Wallace. If the audience is supposed to believe that Marsellus is the big boss, we shouldn't have Jules, one of our main characters, who also happens to be an underling to Marsellus, talk to him like Marsellus is somehow beneath him. It was a inconsistency, but in my mind it was a major one, because it removed me from the immersion of the film, even if it was for just a second.
Along with those negatives, I felt like Butch's (Bruce Willis) storyline was kind of thrown in to the mix as an afterthought. It all comes back around, but his storyline just doesn't feel as important to me as Vincent's and Jules' parts in the narrative.
Overall, I found that Pulp Fiction lived up to the hype. We don't often see movies with an all-star cast like this succeed as well as Pulp Fiction did. I do realize that a lot of the names in this movie were not quite as big then as they are now, but the acting was superb and the stylistic filming and framing of the shots were amazing. All that combined with an extremely well chosen soundtrack and we have what I believe is one of the best, and most influential movies of all time.
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The Cynical Report is a blog by me, Kameron Eller, that covers all types of movies, and some news that I find worth "reporting" on, with a little bit of myself mixed in. Updated at least once a week.
Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts
Monday, June 6, 2011
Monday, May 9, 2011
Movie Reflection: Thor
Ok, so a couple disclaimers right off the bat. One, I am not a comic book guy, so this movie will be reflected upon merely as a movie guy, as it should be considering that if a movie wants to make any money, it needs to appeal to more than just comic book people.
And two, if you are a comic book person, don't hate me.
***SPOILERS
The Good
We will start with the couple things that Thor did well. One of the best parts of this movie for me was the music. The music in this movie was composed by Patrick Doyle, who is an internationally respected film composer, and I have to say, he was a great pick-up for this film given his experience with epics such as Harry Potter and the Goblet of Fire, Eragon, and Henry V. His experience shone through in this film. The music fit the movie excellently and was perfectly crafted.
The other thing Thor did well was the casting. Chris Hemsworth just looks like Thor, and he is a decent actor. Also, the pick-up of Anthony Hopkins to play Odin was just wonderful, and Tom Hiddleston played a great Loki. He really is that pale, and Kat Dennings is a babe. The acting was excellent through and through, I was impressed.
The short scene in which he walks into a pet store looking for an animal to ride was gold.
The Bad
And oh boy, was there a lot of it. Steel yourselves. The first thing I noticed was that I hated the main character. Thor was an obnoxious brat, and obviously arrogant to the point of stupidity. I understand this was a story telling point in that he would be punished and be changed, but he was such an ass in the beginning of the movie that I doubted King Odin's wisdom in passing the kingdom on to Thor in the first place. It's as if the movie expects me to forget that everything that happened wasn't Thor's fault to begin with when he acted arrogantly in his invasion of Jotunheim (the Frost Giant world), disobeying his father's orders. So immediately I had a serious problem liking the main character, which very much got in the way of enjoying the film.
Also, Thor's little band of warriors seemed greatly out of place. In the movie they never really did anything at all. They went with Thor to Jotunheim and they kicked some butt there, but anymore than that they were really just characters to make sure the audience had a stake in Asgard while Thor was on Earth. They were simply disappointing in their attempt to help Thor save Earth from the Frost Giant fire breathing metal golem that Loki sent (seriously, what was that thing).
As far as Thor's "changed man" (overdone) storyline, it was not executed very well. Almost all of the events in this film take place in a span of 48 hours, which is a ridiculous notion. I mean, they built an entire army compound around Mjöllnir (Thor's hammer) in less than a day. Clearly not possible. Also, exactly when he changed was unclear to me. I understood the traumatic experience of not being able to retrieve Mjöllnir from the rock (which by the way, also overdone, hello King Arthur) but even after that, he was still a bit of an ass. Or maybe I am projecting.
The Ugly
In Asgard, everyone has British accents
Random Asian character in Asgard (who also has a British accent)
Stupid one liners. "Next." "At least give me a challenge."
Banishing someone to Earth so they will become a better person is...laughable
Kat Dennings' character, Darcy, comedic relief to the point of annoyance
If in same Universe as other superheroes, where are they to save town
Summary
For me, Thor could only go as far as the special effects and music could take it, and they did a good job with that stuff. But the story was thin and overdone, and the characters were too uninteresting to make me care about what was happening to them in the film. --Kameron
On a more personal note I think I will be doing these movie reflections at once a week. It will vary, depending on funds, whether or not the movie I do will be a new release or more of a classic, but we will see. In fact, YOU guys tell me what movie to see. I will be doing one regardless, but if someone wants to recommend something, or you want something reviewed, let me know and I will take a look at it!
As always I fully encourage any criticism, advice, suggestions, or general discussion in the comment area.
If you wish you can contact me at thecynicalreport@gmail.com, and please like/share my blog on Facebook and Twitter using the links on the side!
Sunday, May 1, 2011
Movie Reflection: A Clockwork Orange
A Clockwork Orange is a film directed by Stanley Kubrick, based on the Anthony Burgess novel by the same name. And it is safe to say that it blew my mind.
A Clockwork Orange did not screw with me in a classical sense. The ideas presented in the movie are not hard to wrap one's mind around, but the cinematography gave it a strange voyeuristic effect that made it seem like I was watching something I was not supposed to be. That, combined with the intentional association of typically happy compositions with scenes of "ultra-violence" left me with a disturbed feeling of disassociation with my own life for a couple hours after viewing the movie.
The first thing I noticed in this movie was the play-like feel I received from the actors. All of the lines were delivered very much as if it was meant to be an on-stage performance. This could have been a sign of the times, being filmed in the early 70's, but I also got the impression that a lot of the actors were classically trained, leading to a very play-like atmosphere on screen, and I quite enjoyed that.
In the beginning of the movie the word "ultra-violence" was used frequently. I have a bit of a problem with this in that none of the actions portrayed in the film constituted, in my mind, "ultra-violence". Now, maybe this can also be attributed to the film's age, as there is no doubt a bunch of these scenes were very edgy in the early 70's. I had always heard about the infamous rape scene(s). Not that I looked forward to viewing rape, as I find it quite disturbing, but none of the scenes really came across to me as being particularly gruesome or over the top.
Another thing I noticed early on in the film was all of the eroticism in random places throughout, such as in the abandoned lobby where the "droogs" hung out. On the wall there were pictures of naked guys with their genitalia crossed out and a few dirty and disturbing phrases written, such as "If it moves, kiss it" and "Suck it and see". Also, a little later on, our main character, Alex DeLarge, broke into a house where all the walls were covered with erotic paintings, and even a sculpture of a penis becomes heavily involved in the story. Now, maybe this is my notoriously dirty mind at work noticing all these things (and anyone who knows me may claim this) but I think that this is Stanley Kubrick simply doing a good job of setting up a disturbing atmosphere.
*Spoilers From Here On*
There were a few things I noticed from Alex's time in prison. The first was his admittance of enjoying the Bible, followed by all of his sociopathic reasons why, ranging from his desire to be one of the Romans torturing Jesus, to his love of the Bible's frequent sexual depictions. He did note that he had to skip the boring parts to find the interesting bits. Then there was the clever foreshadowing of the rest of the story by the priest, explaining how one cannot simply be made good, but has to choose goodness for oneself (this is also the overarching message of the movie). Another thing I loved was Chief Guard Barnes.
(explicit warning)
Barnes was a light-weight version of Gunnery Sergeant Hartman as seen in one of Kubrick's later films, Full Metal Jacket.
(explicit warning)
Alex's "rehabilitation" toward non-violence easily made up the most frightening scenes in the movie for me. Almost everyone has at least seen a still frame of this before. Alex in a straight jacket, tied to a chair, with eyes clamped open. A frightening sight, no doubt.
I found the music in A Clockwork Orange absolutely wonderful. Pieces like Beethoven's 9th and The Funeral of Queen Mary are obviously great examples of music, but it was the way music was used in this film that blew me away. The title music from A Clockwork Orange is an electronic transcription of Henry Purcell's Funeral of Queen Mary by Wendy Carlos, and it created an effect of disturbance throughout the movie.
(Funeral of Queen Mary by Wendy Carlos)
Overall, I found A Clockwork Orange to be pretty enjoyable. I appreciated the use of Alex DeLarge as both the main character and the narrator. It made for an interesting connection with him and led to a relationship that I found riddling at times. Near the end of the movie I became slightly annoyed by Kubrick's constant spoon-feeding of the movie's message. However, I caught onto another message that I do not think they meant to imply. At the end of the movie where everyone is getting payback on Alex for being the ass he was in the beginning, they stumbled upon the overall hypocrisy of society. People responded to his presence with "ultra-violence" even after his complete reformation, thus causing him to resort back to his old, violent, ways. If they had allowed bygones to be bygones, he would have remained a reformed and non-violent person.On a more personal note, the first edition of me and my father's podcast, Convince Me, is going up tomorrow Sunday, May 1st. It will be going live at 10:45 PM EST, and the recording will also be available for listening at http://www.talkshoe.com/tc/
We will be talking about Body Modification. So please, listen in, and call in live if you get the chance! To clarify, both the live and listenable versions of the podcast will be available at the above link.
If you wish you can contact me at thecynicalreport@gmail.com, and please like/share the blog on Facebook and Twitter using the links on the side!
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